Review: DimSŵn 2016 – ‘A premature serving of Sŵn’s 10th birthday cake, with just as much rich sonic filling’

Published on AfterDark (14 April 2016) [click here to view]

Dean Hodge reviews some of the acts from this year’s DimSŵn Festival in Cardiff , 9 April. (Photography by Nick Evans)

Anelog (Copyright Nick Evans)

Anelog, The Moon Club (Photo: Nick Evans)

If its older sibling Sŵn is the headline act of the festival season, then the younger DimSŵn is the inaugural support whetting aural appetites for the soundtrack to our year ahead. With the tenth year of Sŵn approaching, DimSŵn was in some ways a premature nine-and-a-half old birthday celebration – a mere slice of the Sŵn birthday cake full of the rich sonic filling and rare flavours-of-the-month that this defiantly Welsh institution never fails to mix up.

As is often the case at Sŵn, it falls on the slim guitar-adorned shoulders of a singer-songwriter act to open proceedings. So DimSŵn 2016 gets under way in Undertone with Merthyr Tydfil chanteuse Bryony Sierthe first in a line of acts representing the Forte Project stage. She manages to inject a unique edge into the country and folk genre with a voice that sounds more Memphis than Merthyr, and melodies cut straight from the heart. Continue reading

Horizons/Gorwelion 2015: The BBC Maida Vale sessions – Interview with Hannah Grace

AfterDark’s Dean Hodge talks to one of the Horizons/Gorwelion 2015 artists Hannah Grace about her Horizons year and recording at BBC Maida Vale.

Hannah Grace (Copyright by Horizons)

The voice of Welsh chanteuse Hannah Grace is imbued with both a dreamy delicacy that matches her namesake, and a bruising power that can erupt seemingly from out of nowhere and floor you when you least expect it to. Her music is just as full of crafty contradiction. Melodies and lyrics that are derived from the deepest realms of the heart, are further embellished and enhanced by ambitious production that enable it to transcend any genre – folk, jazz, blues, any conceivable journalists’ label and any musical form yet to be given a label.

Take Meant To Be Kind which starts off as an acoustic ode to heartbreak from the viewpoint of the person doing the heart breaking, but soon elevates into a gospel-soul mantra of self-defiance. Then Walk Away (The City) – as much a lament on inner-city isolation as it is an escapist’s anthem.

When Dean Hodge last interviewed Hannah Grace last year, she has just earned a place on the Horizons/Gorwelion 2015 scheme – a nod which further cemented her as an artist to keep a close ear out for. Here, the Bridgend-based singer-songwriter speaks to Dean about how Horizons has helped her over the year since then, what people can expect from her new sound, details of her upcoming release, supporting Gabrielle Aplin this year, and her recent performance for Horizons at BBC Maida Vale. Continue reading