Published on AfterDark (31 Aug 2018) – click here to access article
Dean Hodge reviews some of the highlight acts from this year’s Green Man Festival held on 16 – 19 August 2018. (Photography by Nick Evans)
Public Service Broadcasting, Far Out Stage. Photo: Nick Evans.
The imposing sight of the famous green figure in the middle of the site, surrounded by a sea of spectators adorned with glitter on their faces and stack cups in hand, is the unmistakable sight that once again greets me (and photographer Nick Evans) upon arrival at Green Man for my fourth visit here in as many years.
But one part of the festival that has become so synonymous with each of my previous three visits here is missing this year though – the rain. Green Man and wet weather is a natural marriage that has become so ingrained in each of my previous visits here, that it is almost difficult for me to get used to what is actually for once a mostly hot and dry weekend in the Brecon Beacons – to the extent that I actually leave the festival more bronzed rather than soaked.
Joel Gion, The Brian Jonestown Massacre, Far Out Stage. Photo: Nick Evans.
But a far more important characteristic of Green Man has remained and that is the quality of the music. For a festival that firmly embraces the left of the dial while retaining a maverick Welsh spirit, this year’s Thursday night headliners are a natural fit for both of these reasons. The music of London’s Public Service Broadcasting is a compelling concept in itself – with instrumental kraut-rock grooves interspersed with samples of public information films, and in the confines of the Far Out Stage accompanied by old film footage on each screen. Furthermore, their second album Every Valley celebrates and mourns the rise and decline of the Welsh coal mining industry. Continue reading
Published on AfterDark ( 25 Aug 2017) – click here to access article
Dean Hodge reviews some of the acts from this year’s Green Man Festival held on 17 – 20 August 2017. (Photography by Nick Evans)
Photo: Nick Evans
Even as Green Man Festival enters its fifteenth year, the ethos of promoting the best of new music alongside established icons has not waned. Nor has the encompassing love-one-another vibe that is infectious as soon as you arrive. Certainly, the latter is needed more than ever at such a turbulent time, and the festival returns one more to provide a green oasis of escapism. Still, the awareness of events happening elsewhere in the world filters through and becomes a running theme in many of the artists’ mantras to the audience.
The Big Moon, Far Out Stage. Photo: Nick Evans
US rockers Hurray For The Riff Raff make the odd reference to the growing political unrest in their homeland and elsewhere throughout their set on the Mountain Stage on Friday. The performance itself is a breathless ride of soaring northern-bound classic rock with a southern-fried punk energy simmering beneath that burns with an inner yearning for a more peaceful world. Inward-looking lyrics with a social conscience are delivered with boldness and bite by frontwoman Alynda Segarra – the musical love child of Patti Smith and Bruce Springsteen both in her lyrical delivery and her smouldering stage presence. A fitting tribute to The Boss himself is thrown in for good measure with a hedonistic cover of Dancing In The Dark closing the set.
Another high-octane cover of an 80’s classic is provided by London indie quartet The Big Moon – their delirious take on Bonnie Tyler‘s Total Eclipse of the Heart just one highlight of what is a typically vivacious set by the four-piece. Their delirium-inducing, body-elevating blend of murky guitar riffs and sultry melodies is suited for the confines of the Far Out Stage. A backing band of dancers in fancy dress join the band on-stage for closing number Sucker to provide a fittingly fervent finale. An accidental on-stage fall by guitarist Soph Nathan during an over-zealous guitar solo only adds to the chaotic charm of their set. Continue reading
Published on AfterDark (3 Sept 2016) – click here to access article
See all photos by Nick Evans for AfterDark here
Dean Hodge reviews some of the acts from this year’s Green Man Festival held on 18 – 21 August 2016. (Photography by Nick Evans)
Photo: Nick Evans.
Having become anointed with the unique charms of Green Man Festival last year, a return was definitely on the cards for me this year. It is quite clear on my second visit that some things simply don’t change at Green Man 2016 – one of them being the incessant Welsh rain (lots of it) which has seemingly become a permanent staple on the annual line-up. Thankfully, neither has the quality of the music – which this year, like the downward water that falls out of the sky here, is in unlimited supply.
Having finally arrived and set up camp on Thursday – on what is a once-in-a-blue-moon dry day in the Brecon Beacons – I make my way to the front of the Far Out tent, which is probably not the most ideal place for the more passive gig-consumer given that the next band to play are capable of bringing bears out of slumber with their cacophony of noise. Continue reading