Review: Green Man 2017 – ‘At fifteenth time of asking, a festival which delivers on every level and does so with a dose of love’

Published on AfterDark ( 25 Aug 2017) – click here to access article

Dean Hodge reviews some of the acts from this year’s Green Man Festival held on 17 – 20 August 2017. (Photography by Nick Evans)

Photo: Nick Evans

Even as Green Man Festival enters its fifteenth year, the ethos of promoting the best of new music alongside established icons has not waned. Nor has the encompassing love-one-another vibe that is infectious as soon as you arrive. Certainly, the latter is needed more than ever at such a turbulent time, and the festival returns one more to provide a green oasis of escapism. Still, the awareness of events happening elsewhere in the world filters through and becomes a running theme in many of the artists’ mantras to the audience.

The Big Moon, Far Out Stage. Photo: Nick Evans

US rockers Hurray For The Riff Raff make the odd reference to the growing political unrest in their homeland and elsewhere throughout their set on the Mountain Stage on Friday. The performance itself is a breathless ride of soaring northern-bound classic rock with a southern-fried punk energy simmering beneath that burns with an inner yearning for a more peaceful world. Inward-looking lyrics with a social conscience are delivered with boldness and bite by frontwoman Alynda Segarra – the musical love child of Patti Smith and Bruce Springsteen both in her lyrical delivery and her smouldering stage presence. A fitting tribute to The Boss himself is thrown in for good measure with a hedonistic cover of Dancing In The Dark closing the set.

Another high-octane cover of an 80’s classic is provided by London indie quartet The Big Moon – their delirious take on Bonnie Tyler‘s Total Eclipse of the Heart just one highlight of what is a typically vivacious set by the four-piece. Their delirium-inducing, body-elevating blend of murky guitar riffs and sultry melodies is suited for the confines of the Far Out Stage. A backing band of dancers in fancy dress join the band on-stage for closing number Sucker to provide a fittingly fervent finale. An accidental on-stage fall by guitarist Soph Nathan during an over-zealous guitar solo only adds to the chaotic charm of their set. Continue reading

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Review: Green Man Festival 2016 – “The quality of the music, like the incessant Welsh rain, continues to be in unlimited supply”

Published on AfterDark (3 Sept 2016) – click here to access article

See all photos by Nick Evans for AfterDark here

Dean Hodge reviews some of the acts from this year’s Green Man Festival held on 18 – 21 August 2016. (Photography by Nick Evans)

Photo: Nick Evans.

Photo: Nick Evans.

Having become anointed with the unique charms of Green Man Festival last year, a return was definitely on the cards for me this year. It is quite clear on my second visit that some things simply don’t change at Green Man 2016 – one of them being the incessant Welsh rain (lots of it) which has seemingly become a permanent staple on the annual line-up. Thankfully, neither has the quality of the music – which this year, like the downward water that falls out of the sky here, is in unlimited supply.

Having finally arrived and set up camp on Thursday – on what is a once-in-a-blue-moon dry day in the Brecon Beacons – I make my way to the front of the Far Out tent, which is probably not the most ideal place for the more passive gig-consumer given that the next band to play are capable of bringing bears out of slumber with their cacophony of noise. Continue reading

Review: Green Man Festival 2015 – ‘A musical melting pot opening doors to a universal corridor of song’

Green Man 1 - Main pic

Published on AfterDark (27 Aug 2015)

AfterDark’s Dean Hodge gives his verdict on this year’s Green Man Festival (with photography from Gareth Bull).

For many, Green Man Festival is a highlight of the festival calendar, and ones which offers the best of both worlds – blending major artists with the more obscure gems of the music world, and evolving into a major platform while still maintaining a maverick, essentially ‘indie’ core. In short, it very much has a festival ‘feel’ without the festival ‘stress’.

With the exception of a few, many of the artists in this year’s line-up I am only just discovering for the first time and some I have instantly become enamoured with. There is such a diversity of music to select from, and as if that isn’t enough, there is plenty of locally sourced food, ales, and other festivities to keep your tastebuds, as well as earbuds, occupied. As myself and photographer Gareth Bull arrive on the site on a drizzly Thursday night, the welcoming vibe that greets us instantly offsets the dread of camping out in a damp field in the Welsh mountains for three days. Continue reading

AfterDark’s Dean Hodge Talks With Super Furry Animals’ Cian Ciarán – ‘The shows have sold really well so the pressure is on to deliver’

Cian Ciaran

Published on Cardiff AfterDark (30 Apr 2015)

This coming Friday in Cardiff marks the comeback of arguably one of its most revered exports – as 90’s psych-indie kings Super Furry Animals grace the Cardiff University Great Hall on May 1.

With a sell-out crowd awaiting the return of the Welsh rock icons, not an ounce of the huge sense of anticipation is lost over SFA member/synth maestro Cian Ciarán. Yet he shrugs off any nerves in his imitable laid-back, unassuming manner.

As if returning to duties as the synth wizard of SFA for their first UK tour in six years wasn’t enough to keep him busy, he has many other things to keep him occupied – he is currently touring with his new band Zefur Wolves (with his partner Estelle Ios among the line-up) in promotion of their self-titled debut album released earlier this month, and a solo album coinciding with the general election is set for release this summer. Continue reading