Published on AfterDark (3 Sept 2016) – click here to access article
See all photos by Nick Evans for AfterDark here
Dean Hodge reviews some of the acts from this year’s Green Man Festival held on 18 – 21 August 2016. (Photography by Nick Evans)
Photo: Nick Evans.
Having become anointed with the unique charms of Green Man Festival last year, a return was definitely on the cards for me this year. It is quite clear on my second visit that some things simply don’t change at Green Man 2016 – one of them being the incessant Welsh rain (lots of it) which has seemingly become a permanent staple on the annual line-up. Thankfully, neither has the quality of the music – which this year, like the downward water that falls out of the sky here, is in unlimited supply.
Having finally arrived and set up camp on Thursday – on what is a once-in-a-blue-moon dry day in the Brecon Beacons – I make my way to the front of the Far Out tent, which is probably not the most ideal place for the more passive gig-consumer given that the next band to play are capable of bringing bears out of slumber with their cacophony of noise. Continue reading
Published on AfterDark (21 April 2016)
Dean Hodge reviews the band’s Cardiff leg of their ‘Jukebox’ 20th anniversary tour, at the recently opened TramShed venue (support from The Standard Lamps). Photography: Nick Evans.
For a band often considered part of the blossoming Britpop scene of the mid-1990’s, The Bluetones were far more inspired by the harmony-laden guitar-pop of 60’s US West Coast bands such as The Byrds, than by the British songbook circa-Kinks and Small Faces that informed the sound of much of their peers. But timeless singles such as Slight Return and Bluetonic have ingrained themselves in the psyche of many of those who were in their twenties when the band started, as well as those lucky enough to discover them since.
Having initially parted ways, the band have reformed for a one-off tour as they raise a gin and ‘bluetonic’ to twenty years since the band’s inception and the release of their soaring debut album Expecting To Fly – an often overlooked, but scarcely overpraised, classic from the 1990’s British indie scene.
Their return to Cardiff coincides with the recent arrival of the ambitious TramShed venue in Cardiff, which in a short space of time has established itself as an integral part of the Cardiff music scene, filling the gap for a suitable ‘medium-sized venue’ that Cardiff has lacked for so long. Its thousand-strong capacity makes it suitable for housing the audience for this gig – albeit many of whom are in their late 30’s to 40’s and whose youth was fortunately soundtracked by the Britpop era. Continue reading
Published on AfterDark (14 April 2016) [click here to view]
Dean Hodge reviews some of the acts from this year’s DimSŵn Festival in Cardiff , 9 April. (Photography by Nick Evans)
Anelog, The Moon Club (Photo: Nick Evans)
If its older sibling Sŵn is the headline act of the festival season, then the younger DimSŵn is the inaugural support whetting aural appetites for the soundtrack to our year ahead. With the tenth year of Sŵn approaching, DimSŵn was in some ways a premature nine-and-a-half old birthday celebration – a mere slice of the Sŵn birthday cake full of the rich sonic filling and rare flavours-of-the-month that this defiantly Welsh institution never fails to mix up.
As is often the case at Sŵn, it falls on the slim guitar-adorned shoulders of a singer-songwriter act to open proceedings. So DimSŵn 2016 gets under way in Undertone with Merthyr Tydfil chanteuse Bryony Sier – the first in a line of acts representing the Forte Project stage. She manages to inject a unique edge into the country and folk genre with a voice that sounds more Memphis than Merthyr, and melodies cut straight from the heart. Continue reading